(AP Photo/Nasser Nasser)
Written by Khalid Jabaly This month we witnessed a milestone in the history of Middle Eastern sport as Egypt and Algeria locked sides for their last chance at qualifying for the 2010 World Cup, resulting in the birth of one of the most heated rivalries in the history of football in the Middle East. A lot of blood, sweat and tears was shed only to see Algeria qualify to the grand stage and Egypt fall back to where they struggled from. The build up to this match was one of the most heated and anticipated build ups in the history of Middle Eastern football, an indicator that the sport is moving forward within the region, as the beauty of football is reflected through the colors, the cultures and the philosophies behind both...
When the lights in the theatre dim, the vibrant rhythm of the seven actors and actresses moving in sync on stage becomes audible. Creatively arranged lights produce doubled shadows on the wall in the back. It becomes immediately obvious that the characters in this play are crazy; the actresses have long disheveled hair, both the actors and actresses wear exaggerated make-up, their movements are spastic, uncontrolled and their mouths twitch in funny angles every now and then. I’m pleasantly surprised to be a witness of this silent physical performance, the first of its kind I observe here in Jordan.
The theatre play “Crossword”, directed by Dr. Mohammad Khayr Alrifa’i, brings a fresh new breeze into the mainly traditional theatre-landscape of Jordan. It’s a relief to find an attempt for innovation, experimentation... 



